Nobody commissioned this. We watched Henri and Hodler on the shelf and had to know what they'd look like off it — talking, reacting, teaching a generation that learns by watching, not just reading.
This is a first draft, built in a day. Direction and tone over polish — the characters, the world, the camera, the voices and the score are all generated from your book, from scratch.
Same faces. Same world. Same clever rhymes, the same two dudes who've got style. Only now one of them raises an eyebrow before the punchline, and the other loses his cap when he gets excited. That single difference is the gap between a book a child finishes once, and a character a child asks for by name.
Kids aren't finding ideas on shelves anymore. They're finding them mid-scroll, from a character who made them laugh a second before they realised they'd learned something.
The hardest part of that equation is the part you've already finished. You have the characters. You have the curriculum. You have the voice. The only thing missing is motion — and motion is the one format that actually travels.
One chapter becomes one episode. A to Z through the book, in order — a library a parent puts on and trusts.
One idea, one joke, one clean explanation per clip. The format that finds new readers who've never heard of the book.
Something moves in crypto this week. Hodler explains it to kids by Friday, in your voice, your framing.
The book narrated on screen, characters animated over the pages — the bridge between what exists and what's next.
Lesson-length versions with the jokes intact and a teacher's beat built in. Distribution that doesn't depend on an algorithm.
No lesson, just Henri and Hodler being funny. This is what makes kids come back for the ones that do teach.
Model sheets. Front, profile and close-up turnarounds so every future frame matches, no matter who renders it.
Expression range. The smirk, the double-take, the raised eyebrow. Built once, reused forever.
Costume variants. Hodler in the bandages, Henri in the cape — straight from the pages you already wrote.
A world to stand in. Locations that carry the story of money in their architecture, not just their captions.
We pull the month's beats from your books, and from what's actually moving in crypto right now.
Written in the voice you already established. You approve a slate once, not a script at a time.
Characters, camera, voice and score generated against the locked model sheets. Consistency by system, not by luck.
Titles, thumbnails, captions, cut-downs. One episode becomes a week of shorts.
Scheduled across YouTube and social on a cadence that holds, whether or not anyone's watching the calendar.
Which means the series doesn't run on your time. It runs on a system — and your time goes where it should: the ideas, the voice, the final yes.
Once the cast exists, the subject is interchangeable. The same two characters can carry anything a child needs to understand about money, and the century they're growing up into.
Thirty minutes. We'll walk you through the world, the formats, the production system, and what a first season could actually look like.
Or just reply to the message this came with — either works.